Initially performed as a symphonic work for sonic sculptures, the installation explores illumination and its inverse, revealing the technological architectures that mediate movement, space, and placemaking. Salvaged high-intensity discharge streetlamps from Palomar, CA, bear the histories of their function, marking shifts in industrial fabrication and civic planning. These lights impose on you a perceptive monochromy, collapsing color into shadows and textures, constructing space itself. This constriction, far from an erasure, produces an intensification: textures heighten, shadows sharpen, and objects lose their categorical immediacy.